{"id":1158,"date":"2019-04-08T19:30:23","date_gmt":"2019-04-08T18:30:23","guid":{"rendered":"http:\/\/radicalfilmnetwork.de\/?p=1158"},"modified":"2019-04-08T19:30:23","modified_gmt":"2019-04-08T18:30:23","slug":"days-what-the-social-imaginary-of-a-soap-opera-could-be-today","status":"publish","type":"post","link":"https:\/\/radicalfilm.net\/2019\/days-what-the-social-imaginary-of-a-soap-opera-could-be-today\/","title":{"rendered":"Days &#8211; what the social imaginary of a soap opera could be today"},"content":{"rendered":"Artists Zayne Armstrong and Ellinor Aurora Aasgaard will introduce their experimental serial moving-image project Days, which emerged from a common need for alternatives to state and commercial media funding. The series is a fictional drama, based on the long-running, U.S. daytime television soap opera Days of Our Lives. <!--more--> Days aims to question the social imaginary of the &#8216;soap opera&#8217; by substituting an abstracted Hollywood world with the specifics of contemporary Berlin. By establishing this series as an open-ended platform for collaboration, Days seeks ways to support an evolving community of the city&#8217;s filmmakers, artists and residents.","protected":false},"excerpt":{"rendered":"Artists Zayne Armstrong and Ellinor Aurora Aasgaard will introduce their experimental serial moving-image project Days, which emerged from a common need for alternatives to state and commercial media funding. The series is a fictional drama, based on the long-running, U.S. daytime television soap opera Days of Our Lives.","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,3,4],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/posts\/1158"}],"collection":[{"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/comments?post=1158"}],"version-history":[{"count":0,"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/posts\/1158\/revisions"}],"wp:attachment":[{"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/media?parent=1158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/categories?post=1158"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/tags?post=1158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}