{"id":1177,"date":"2019-04-08T19:49:17","date_gmt":"2019-04-08T18:49:17","guid":{"rendered":"http:\/\/radicalfilmnetwork.de\/?p=1177"},"modified":"2019-04-08T19:49:17","modified_gmt":"2019-04-08T18:49:17","slug":"desktop-films-recycling-vernacular-video-from-areas-in-social-and-political-conflict","status":"publish","type":"post","link":"https:\/\/radicalfilm.net\/2019\/desktop-films-recycling-vernacular-video-from-areas-in-social-and-political-conflict\/","title":{"rendered":"Desktop films: recycling vernacular video from areas in social and political conflict"},"content":{"rendered":"The massification of digital technologies of image recording, the participatory web and video-sharing platforms such as YouTube have deeply transformed the way in which filmmakers can portray and approach reality. <!--more--> More and more artists are re-appropriating, re-using and editing in their films user generated content and vernacular videos found online. \u201cDesktop films\u201d are the result of these experiences, post-films defending an ecology of the image that take advantage of the audiovisual \u201cpollution\u201d of the digital ecosystem and recycle these \u201cdigital detritus\u201d (Steyerl). These extremely contemporary films are born at the crossroad of two media, internet and cinema, and are redefining cinematographic art and its borders in a radical way.\n\nGala Hern\u00e1ndez is a PhD Researcher within the doctoral program Esth\u00e9tique, Sciences et Technologies des Arts (EDESTA) at University Paris 8, working on a research-creation project about desktop films under the supervision of C\u00e9cile SORIN, in co-direction with Sergi S\u00c1NCHEZ from University Pompeu Fabra. She is part of the laboratory Esth\u00e9tique, Sciences et Technologies du Cin\u00e9ma et de l\u2019Audiovisuel (ESTCA).\n","protected":false},"excerpt":{"rendered":"The massification of digital technologies of image recording, the participatory web and video-sharing platforms such as YouTube have deeply transformed the way in which filmmakers can portray and approach reality.","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,3,4],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/posts\/1177"}],"collection":[{"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/comments?post=1177"}],"version-history":[{"count":0,"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/posts\/1177\/revisions"}],"wp:attachment":[{"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/media?parent=1177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/categories?post=1177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radicalfilm.net\/2019\/wp-json\/wp\/v2\/tags?post=1177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}