Débora Butruce – Brazilian Audiovisual Heritage at Risk | Andrés Felipe Uribe Cárdenas – Mother’s Day | Ifeatu Nnaobi – Filmmaking for empowerment in marginalised communities | Michael Jenkins – Echoes of Our Ancestors, reflecting on the ghosts of the past | Khahliso Matela – Series: Projections | Yulia Gilich – How to Strike in a Pandemic | Şirin Fulya Erensoy – “Why can’t I walk in my own country?” LGBTI+ community’s Visual Activism in Turkey | Merve Namlı – LGBTI+ Narratives in Late Turkish Cinema | Dana Lorenz – The Re-Appropriation of the Gaze | Mathias Gatti – DOCKLESS: behind the sharing bikes without dockstation | Ainize Sarasola – Mallorca agosto 2019, quit or continue, existential crisis under the sun | Hana Yoo – Splendour in the grass: animal, woman, and utopia | Achim Lengerer – Notes towards “A Year With 52 Days. The Microcinema of Goh Harada“ | Miguel Mitlag – One foot after the other | Gargantúa Guerrilla-Projection Magazine – Guerrilla-Projections: art, activism and politics in the periphery | Unidad de Montaje Dialéctico (UMD) – Theses on Cavern Cinema | Dan Dansen – Survivor Manifesto. A Journey Into The Unknown | Patricia Silva – Fragments from an untitled work-in-progress | Ash Moniz – Akinetopsia and the Time of Supply | Sohrab Hura – A proposition of departure “The lost head and the bird”

 

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Arts of the Working Class presents for the first time in Germany, with the kind courtesy of Terrassen (Denmark), the experimental films of Edward Owens: Remembrance: A Portrait Study (1967) and Private Imaginings and Narrative Facts (1968-70). In the midst of the preparations of its 18th Issue, Arts of the Working Class sees many layers of meaningful distraction and awareness in Owens’ films in regards to the notions of care in intimate and public spaces. (more…)