{"id":2251,"date":"2021-08-08T13:35:10","date_gmt":"2021-08-08T13:35:10","guid":{"rendered":"http:\/\/radicalfilm.net\/2021\/?p=2251"},"modified":"2021-08-17T17:11:11","modified_gmt":"2021-08-17T17:11:11","slug":"transpose","status":"publish","type":"post","link":"https:\/\/radicalfilm.net\/2021\/transpose\/","title":{"rendered":"Transpose"},"content":{"rendered":"Transpose\u00a0is an ongoing project that explores cross-hemispherical relations with regard to different\u00a0tensions: the kinship,\u00a0insertion, farming and impact of salmon; the anthropocentric management and\u00a0manipulation of living marine resources, and\u00a0the coexistence and disappearance of indigenous\u00a0knowledge, from origin to destination in the contemporary context.<!--more-->\r\n\r\nIts main\u00a0objective is to provide a\u00a0reflection on these issues through a series of artworks and an interdisciplinary debate, aiming to\u00a0reach\u00a0local, artistic, philosophical, scientific and indigenous communities in Nordic countries, Germany,\u00a0Canada and Chile.\u2028 Michelle-Marie Letelier (Chile, 1977) is an artist and filmmaker, who lives and works in Berlin. Her videos and VR have been exhibited in international screenings and\u00a0festivals.She has obtained grants from the Ministry of Culture &#038; Arts &#8211; Government of\u00a0Chile; KORO &#8211; Public\u00a0Art Norway; Goethe Institut Chile-Canada-Norway, IFA-\u00a0Institut fu\u0308r Auslandsbeziehungen and Berliner\u00a0Senate in Germany. She has been a resident at ISCP (NYC, 2014), USF (Bergen, 2017),\u00a0Kunstnerhuset (Svolv\u00e6r, 2018),\u00a0Magallanes2020 (Punta Arenas, 2018), ISLA\u00a0(Antofagasta, 2018) and Troms fylkeskultursenter\u00a0(Troms\u00f8, 2019).\r\n<p>&nbsp;<\/p>\r\n<a href=\"http:\/\/www.michellemarieletelier.net\" rel=\"noopener\" target=\"_blank\">\u2028www.michellemarieletelier.net<\/a>","protected":false},"excerpt":{"rendered":"Transpose\u00a0is an ongoing project that explores cross-hemispherical relations with regard to different\u00a0tensions: the kinship,\u00a0insertion, farming and impact of salmon; the anthropocentric management and\u00a0manipulation of living marine resources, and\u00a0the coexistence and disappearance of indigenous\u00a0knowledge, from origin to destination in the contemporary context.","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,8,3],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts\/2251"}],"collection":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/comments?post=2251"}],"version-history":[{"count":5,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts\/2251\/revisions"}],"predecessor-version":[{"id":2436,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts\/2251\/revisions\/2436"}],"wp:attachment":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/media?parent=2251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/categories?post=2251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/tags?post=2251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}