{"id":2272,"date":"2021-08-08T14:17:34","date_gmt":"2021-08-08T14:17:34","guid":{"rendered":"http:\/\/radicalfilm.net\/2021\/?p=2272"},"modified":"2021-08-17T16:14:54","modified_gmt":"2021-08-17T16:14:54","slug":"the-semi-show","status":"publish","type":"post","link":"https:\/\/radicalfilm.net\/2021\/the-semi-show\/","title":{"rendered":"The Semi-Show"},"content":{"rendered":"The Semi-Show is a trash TV absurdist talk show revolving around the notion of \u201csemi-\u201d. A playful expression of feminism, reflecting on contemporary power-structures, affective hierarchies and naked politics: semi-sexual, semi-local, semi-interactive, semi-expertise. Half-way interrupted formats follow one another. The show moves through virtual imagery inviting the audience to follow masterclasses, absurd games and the band\u2019s performance compressed into a one minute span. <!--more-->\r\n\r\nAmong the semi-experts are Nadja Buttendorf (artist), Jana Barthel aka Futuremaps030 (artist and rapper), Cibelle Cavalli Bastos (musician, performer, VR\/AR artist), Asya Ashmann (performer) and Alexandra Zakharenko a.k.a. Perila (music producer and performer), and others. \r\n<p>&nbsp;<\/p>\r\nThe duo R&#038;D was formed in 2018 by Emilia Kurylowicz, an artist and a filmmaker from Poland and Maru Mushtrieva, a writer from Russia. The need to express their ongoing research in a performative way brought them to the idea of a conceptual band. R&#038;D researches stereotypes and patterns that are found in their immediate environment, both real and virtual and every album will be dedicated to a specific contemporary struggle. ","protected":false},"excerpt":{"rendered":"The Semi-Show is a trash TV absurdist talk show revolving around the notion of \u201csemi-\u201d. A playful expression of feminism, reflecting on contemporary power-structures, affective hierarchies and naked politics: semi-sexual, semi-local, semi-interactive, semi-expertise. Half-way interrupted formats follow one another. The show moves through virtual imagery inviting the audience to follow masterclasses, absurd games and the [&hellip;]","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,8,3],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts\/2272"}],"collection":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/comments?post=2272"}],"version-history":[{"count":3,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts\/2272\/revisions"}],"predecessor-version":[{"id":2393,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts\/2272\/revisions\/2393"}],"wp:attachment":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/media?parent=2272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/categories?post=2272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/tags?post=2272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}