{"id":2285,"date":"2021-08-08T14:23:54","date_gmt":"2021-08-08T14:23:54","guid":{"rendered":"http:\/\/radicalfilm.net\/2021\/?p=2285"},"modified":"2021-08-17T18:50:33","modified_gmt":"2021-08-17T18:50:33","slug":"jeux-damour-et-de-hasard-the-game-of-love-and-chance","status":"publish","type":"post","link":"https:\/\/radicalfilm.net\/2021\/jeux-damour-et-de-hasard-the-game-of-love-and-chance\/","title":{"rendered":"Jeux d\u2019amour et de hasard (the game of love and chance)."},"content":{"rendered":"PRAAB (Programme de R\u00e9habilitation \u00e0 l\u2019Amiti\u00e9 et \u00e0 l\u2019Amour par le Bureau) is a nonlinear fiction video game accessible online, shaped during the pandemic and imagined for anyone nostalgic about office culture. Through endless caricatural conversations about birthday cake or\u00a0coffee breaks, and before venturing back into real-life workspaces, you might recover your social skills while relearning how to interact physically with a colleague.\u00a0<!--more-->\r\n\r\n\r\n<p>&nbsp;<\/p>\r\nBehind its humoristic tone, Chryst\u00e8le Nicot and Antoine Alesandrini try to expose a prospective point of view about the future of work organization and cinematographic productions; now we are all living in a disruptive digital era. How could automatisation and teleworking erase one of the biggest social models of the 20th century? And how could this story be told to a new generation of viewers?\u00a0\u00a0\r\n<p>&nbsp;<\/p>\r\nChryst\u00e8le Nicot (1989) and Antoine Alesandrini (1985) are an artist duo whose practice moves seamlessly between film, installation, and sculpture. Their work is concerned with the intersections of cultural economy and technology. They live in Paris.","protected":false},"excerpt":{"rendered":"PRAAB (Programme de R\u00e9habilitation \u00e0 l\u2019Amiti\u00e9 et \u00e0 l\u2019Amour par le Bureau) is a nonlinear fiction video game accessible online, shaped during the pandemic and imagined for anyone nostalgic about office culture. Through endless caricatural conversations about birthday cake or\u00a0coffee breaks, and before venturing back into real-life workspaces, you might recover your social skills while [&hellip;]","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,4],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts\/2285"}],"collection":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/comments?post=2285"}],"version-history":[{"count":7,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts\/2285\/revisions"}],"predecessor-version":[{"id":2523,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts\/2285\/revisions\/2523"}],"wp:attachment":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/media?parent=2285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/categories?post=2285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/tags?post=2285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}