{"id":2493,"date":"2021-08-17T18:02:39","date_gmt":"2021-08-17T18:02:39","guid":{"rendered":"http:\/\/radicalfilm.net\/2021\/?p=2493"},"modified":"2021-08-18T18:18:59","modified_gmt":"2021-08-18T18:18:59","slug":"theses-on-cavern-cinema","status":"publish","type":"post","link":"https:\/\/radicalfilm.net\/2021\/theses-on-cavern-cinema\/","title":{"rendered":"Theses on Cavern Cinema"},"content":{"rendered":"This fragmentary film essay, written in the form of a series of Theses (in the style of Luther\u2019s 95 Theses or Marx\u2019s Theses on Feuerbach), explores the principles of Cavern Cinema, a radical way of making and watching cinema in a (post-)pandemic world.\r\n<p>&nbsp;<\/p>\r\nThe Unidad de Montaje Dial\u00e9ctico (UMD) is a research agency and a faceless artistic collective established in 2020. Their refusal to show their faces and to use proper names stems from a defense of clandestinity and collectivity as a tactic to confront the logic of the spectacle and the industrial-celebrity complex.\r\n","protected":false},"excerpt":{"rendered":"This fragmentary film essay, written in the form of a series of Theses (in the style of Luther\u2019s 95 Theses or Marx\u2019s Theses on Feuerbach), explores the principles of Cavern Cinema, a radical way of making and watching cinema in a (post-)pandemic world. &nbsp; The Unidad de Montaje Dial\u00e9ctico (UMD) is a research agency and [&hellip;]","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,89],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts\/2493"}],"collection":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/comments?post=2493"}],"version-history":[{"count":1,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts\/2493\/revisions"}],"predecessor-version":[{"id":2494,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/posts\/2493\/revisions\/2494"}],"wp:attachment":[{"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/media?parent=2493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/categories?post=2493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radicalfilm.net\/2021\/wp-json\/wp\/v2\/tags?post=2493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}